top of page
2022 Print Fair Logo_Text Only.png

Booth #112

Goya Contemporary / Goya-Girl Press | Baltimore, US

lossless-page1-480px-Art.sylogo_2.tiff.png

Goya Contemporary Gallery built its reputation on lifelong commitments to representing & protecting artists and artistic practice; and for creating visionary, historically relevant exhibitions, publications & scholarship around artists we believe are the truth-tellers of our time.

 

Focused on Post War & Contemporary Art, GCG maintains an active exhibition schedule, large archive of fine-art prints & editions, participates in international fairs, manages estates, and cultivates, educates & connects artists with collectors, communities, connoisseurs, and researchers.

 

GCG devotes considerable resources to artists, championing opportunity, sustainability & legacy. Celebrated for exemplary standards of ethics, we collaborate with museums and institutions to produce discourse around artist’s oeuvres. Recent projects include the largest museum retrospective to date on MacArthur Fellow Joyce J. Scott [for whom GCG is the primary, worldwide representative]; Jo Smail retrospective at Baltimore Museum of Art; forthcoming Museum survey’s on Soledad Salamé and Elizabeth Talford Scott, Museum survey on Abstract Geometric painter Timothy App; and multiple Sonya Clark exhibitions nationwide. Other notable gallery exhibitions include Sanford Biggers, Louise Fishman, Fanny Sanin, Sergio Sister, Sam Gilliam, Liliana Porter, Ana Tiscornia, Elizabeth Talford Scott, Wilhelm Mundt, Charles Mason III, Ann Hamilton, Lynda Benglis, Louise Bourgeois, Louisa Chase, and Alan Shields.

 

Placing art in the world’s top museums and collections, Goya Contemporary also unobtrusively works with famous actors, musicians, TV and movie productions, and athletes, keeping identities and sales records private & protected while providing education and assistance on, and about, objects and the artists who made them.

Image:

Detail of "The Huest Eye" by Sonya Clark

Image:

Detail of "Untitled" by Louise Fishman

“Holding up a mirror to the time in which we live, Goya Contemporary champion’s artistic excellence that breaks barriers and pushes boundaries through powerful objects of extraordinary craftsmanship which speaks Truth to Power. We continue to promote & support diverse practices from varied generations of artists who help make meaning out of the most complex & nonverbal parts of life.”
-Amy Eva Raehse, Partner & Director

Exhibiting Artists

Sonya Clark, Louise Fishman, Dr. Joyce J. Scott, JJ Cromer, Trace Miller, Liliana Porter, Sanford Biggers, David Brown, Soledad Salamé, Jo Smail, Howie Lee Weiss, Alan Shields, Fanny Sanín

Psyche, Sanford Biggers, 2009-2011

Lithograph with hand sewn thread, 43.25 x 25.5 in., ed. 2 of 30. $7,800 Unframed

Untitled (#8 From the River Series), David Brown, 2011

Unique, enamel on printed black ground, 36 x 46 in., $2,800 Framed

The Huest Eye, Sonya Clark, 2023

Embroidered thread on Rives BFK paper, 36 x 24 in., ed. of 12. $9,000 Unframed

The Bluest, Twisted, Sonya Clark, 2023

Lithograph on Rives BFK paper, 36 x 24 in., ed. of 30. $3,400 Unframed

Unbreakable, Sonya Clark, 2014

Oil stick rubbing on polyester, Each: 12 x 12 in. $18,000

Asterisk Man (Alobumen), JJ Cromer, 2008

Paint on board, 25.38 x 20.38 in. $3,500 Framed

It Passed Out of South, Moving South, JJ Cromer, 2011

Paint on board, 38 x 24 in. $4,200 Framed

Untitled, Louise Fishman, 2016

Watercolor on paper, 8.25 x 8.25 in. $9,100 Framed

Untitled, Louise Fishman, 2016

Watercolor on paper, 9 x 9 in. $9,100 Framed

Untitled, Louise Fishman, 2017

Watercolor on paper, 5 x 7.13 in. $7,100 Framed

Untitled, Louise Fishman, 1998

Mixed media on paper, 20.25 x 30.25 in. $31,250 Framed

Untitled, Louise Fishman, 1968

Pastel and pencil on paper, 7.75 x 7.5 in. $8,200 Framed

Untitled, Louise Fishman, 2001

Mixed media on paper, 11 x 8.5 in. $9,600 Framed

Untitled, Louise Fishman, 1986

Oil on paper, 14.75 x 10.75 in. $12,200 Framed

Untitled, Louise Fishman, 2001

Mixed media on paper, 11 x 8.5 in. $9,600 Framed

Paper Forest Series #18, Trace Miller, 2020

Mixed media collage on paper, 15.13 x 13.13 in. $1,800 Framed

Paper Forest Series #13, Trace Miller, 2020

Mixed media collage on paper, 15.13 x 13.13 in. $1,800 Framed

Untitled, Liliana Porter, 2012

Lithograph, Each: 27.25 x 20.25 in., AP edition of 20. $4,500 Framed

Fast Fashion in Color I, Soledad Salamé, 2022

Hand colored and collaged monoprint, 28.75 x 34.25 in., ed. 1 of 1. $3,000 Framed

Study for Painting No. 3(8), Fanny Sanín, 1997

Acrylic on paper, 18 x 22 in. $7,500 Framed

Biggie, Faith + Lil' Kim from the Book of the Dead Series, Joyce J. Scott, 2018

Monoprint, 18 x 26.75 in., ed. 1 of 1. $4,600 Framed

From the Hip Hop Saints and Fallen Angels Series, Joyce J. Scott, 2014

Monotype, Dimensions variable, ed. 1 of 1. $3,800 - $4,000 Framed

From the Hip Hop Saints and Fallen Angels Series, Joyce J. Scott, 2014

Monotype, Dimensions variable, ed. 1 of 1. $2,800 - $4,200 Framed

Untitled, Joyce J. Scott, 1991

Monoprint, 47 x 36 in., ed. 1 of 1. $5,600 Framed

Soul Erased Series, Joyce J. Scott, 1999

Lithograph with screenprinting, embossing, and hand work, Each: 30 x 22 in., ed. 7 of 20. $19,200

The Incestuous Kids, Alan Shields, 1973

Printed on Arches Cover, in dyeing, relief printing, lithograph, serigraph, flocking and glitter, some with die-cutting, stitching and collage by stitching, Each: 8 x 8 in., ed. 20 of 46. $20,000

Prints from the Bees With Sticky Feet Series, Jo Smail, 2020

Archival pigment print, Print: 24.5 x 23.5 in. Frame: 28.5 x 27.5 in., ed. of 5. Each: $3,000 Unframed / $3,500 Framed

Collaboration #10, Jo Smail & William Kentridge, 2005

Mixed media on paper, 19.75 x 26 in. $20,000 Framed

Nesting #1-4, Jo Smail, 2023

Archival pigment print, collage, mixed media, Each: 15 x 12 in., ed. 1 of 1, $975 each

From the Ensemble Series: Landscape, Howie Lee Weiss, 2019-2023

Vine charcoal on paper, 12.56 x 11.94 in. $900 Framed

bottom of page