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Booth #110

Dolan/Maxwell | Philadelphia, US

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Internationally known in the field of modern and contemporary visual art, Dolan/Maxwell is located in a former carriage house in Center City Philadelphia just west of Rittenhouse Square. Director, Ron Rumford, owner, Margo Dolan, and Assistant Director, Jon Eckel welcome interested individuals, experienced collectors and art professionals by appointment.

Dolan/Maxwell specializes in fine prints and works on paper by artists from the 1930s to the present. Their works are presented seriously and in depth with emphasis on Modernist works from the WPA era, Europe and Atelier 17, the New York School, art by African Americans as well as International Contemporary artists. We work closely with the artists and the estates of artists we represent. We augment these works with carefully chosen sculptures and paintings on canvas or panel by artists whose work complements our core and are of particular interest to us. As a founding member of the International Fine Print Dealers Association (IFPDA) we have notable expertise in works on paper in all media.

Image:

Emily Mason Cherry Color Twist, 1990

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IFPDA 2022

Dolan/Maxwell (booth 110) will honor the artistic legacies of two iconic printmaking workshops that left an indelible mark on the landscape of American art: Stanley William Hayter's Atelier 17 and Robert Blackburn's Printmaking Workshop. The enduring significance of these workshops continues to inspire and inform our contemporary art world. We are proud to exhibit important prints and drawings by Hayter in the context of artists who worked closely with him in New York and Paris. Likewise we have highly significant works by Robert Blackburn along with artists mentored by him.
The overarching philosophy for each studio embodied a commitment to artistic innovation, technical excellence, and a spirit of artistic camaraderie that transcended societal and economic boundaries. Each studio laid the groundwork for both a more inclusive and experimental approach to printmaking and art making as a whole. Each studio drew artists from all over the world as word of each distinct opportunity spread. Indeed printmaking continues to be guided by the pedagogical methods of Hayter and Blackburn.
Along with works born of the intricate web of artistic connections and innovations made by Blackburn and Hayter, we will present masterful prints and drawings by artists who preceded and followed these giants of their field. We will include works from the WPA era and very recent works to extend the stories of Modern and Contemporary print making practice. This year’s fair will have an addition focus on drawings as they relate to printmaking and we are eager to share exceptional works by Hayter, Terry Haass, Dorothy Dehner, Dexter Davis, Anne Ryan, and Dox Thrash.

Exhibiting Artists

Fred Becker, Bob Blackburn, Margaret Burroughs, Elizabeth Catlett, Minna Citron, Ed Clark, Dexter Davis, Dorothy Dehner, Amze Emmons, Steven Ford, Herbert Gentry, Sam Gilliam, Terry Haass, Stanley Wm Hayter, Sargent Johnson, Mauricio Lasansky, Jacob Lawrence, Norman Lewis, Samella Lewis, Tom Lias, Emily Mason, Dindga McCannon, Joan Miró, Norma Morgan, Nina Negri, Gabor Peterdi, Helen Phillips, Mavis Pusey, Anne Ryan, Judith Rothschild, Betye Saar, Rachel Selekman, Raymond Steth, Dorothea Tanning, Dox Thrash, Shelley Thorstensen, Alice Trumbull Mason, Cheryl Warrick & James Wells.

Pour Quoi, Robert Blackburn, 1964

color lithograph, image: 19 x 25", sheet: 22 1/2 x 30", signed & titled recto, $12,000 USD

Cherry Colored Twist, Emily Mason, 1990

silk collagraph monoprint with chine colle, image/sheet: 20 x 28", signed & dated recto, $6,200 USD

Miles Axe August, Sam Gilliam, 1974

lithograph and screenprint on Morilla AP etching paper, image/sheet 40 x 60", signed, titled & dated recto, POR

Pregnant Sister, Dindga McCannon, 1976

linocut, A/P, image: 17 3/4" x 11 3/8", sheet: 22 3/8" x 14", signed, titled, dated recto, $9,500 USD

Links Together, Elizabeth Catlett, 1996

lithograph, A/P, image/sheet: 29 1/2" x 22 3/4", signed, titled & dated recto, $16,000 USD

General Toussaint L’Ouverture, Jacob Lawrence, 1986

color screenprint, 53/100, image: 28 3/8 x 18 1/2", sheet: 32 1/8 x 22" , signed, titled & dated recto, $39,500 USD

The People and the Bridge, Dorothy Dehner, 1958

engraving with etching, edition of 40, image: 9 7/8 x 13 3/4", sheet: 15 x 19", signed, titled & dated recto, $5,200 USD

Tropic of Cancer, Stanley William Hayter, 1949

engraving, soft-ground etching, roulette, scraping, deep etching, & gaufrage, edition of 50, image: 21 5/8 x 27 3/8", sheet: 26 3/4 x 34 1/8, signed, titled & dated recto, $40,000 USD

Pyramide, Helen Phillips, 1953

engraving, open bite etching, color proof, image: 13 1/8 x 6 1/16", sheet: 17 x 13 1/4", signed recto, $4,500 USD

Surface Tension, Alice Trumbull Mason, 1946

engraving, soft ground etching, aquatint, edition of 45, image: 5 x 7 7/8", sheet: 10 x 13", signed, titled & dated recto, POR

L'Antitete, Joan Miró, 1947-48

unique engraving & etching, image: 5 7/8 x 4 7/8", sheet: 10 x 6 5/8", signed &dated recto, annotated "eprueve d' essai pour Hayter" *set of 3 unique proofs, $60,000 USD

Bi Lune, Nina Negri, c. 1951

etching & stencil, ep d'artiste etat II, image: 6 3/4 x 8 15/16", sheet: 7 3/16 x 9 1/2", signed, & titled recto, $3500 USD

Glory Be, Dox Thrash, c.1941-42

carborundum mezzotint and etching, image: 7 3/8 x 9 15/16, sheet: 9 x 11 1/2, signed & titled recto, $48,000 *paired with drawing

Folk Singer, Samella Lewis, 1968

color woodcut, edition of 35, image: 12 x 9 1/2", sheet: 14 x 12", signed, titled & dated recto, $16,000 USD

Sunday Promenade, Hale Woodruff, c.1935

woodcut, image: 9 3/4 x 7 3/4", sheet: 12 3/8 x 10", signed & titled recto, $7,500 USD

Never Far Apart, Amze Emmons, 2020

etching with hand coloring, edition of 8, image/sheet: 24 x 18", signed, titled & dated recto, $3,200 USD

Jubilee, Shelley Thorstensen, 2023

color etching & lithograph, ed 20, image 18 1/8 x 22 7/8" sheet: 22 3/8 x 27", signed & titled recto, $1,800 USD

Untitled U0725E, Steven Ford, 2020

unique collagraph with chine colle, image/sheet: 44 x 30", signed & dated verso, $7500 USD

Birth Series 5, Dexter Davis, 2022

monotype, image: 23 1/2 x 17", framed to: 34 x 26 1/2", signed, titled & dated recto, $3,800 USD

Time in Space, Mauricio Lasansky, 1946

engraving, etching & aquatint, edition of 35, image:17 7/8 x 23 3/4", sheet: 22 1/4 x 29 1/8", signed & titled recto, $18,000 USD

Balance, Terry Haass, c.1960

pastel, image/sheet: 29 3/8 x 20 1/2", signed recto, $16,500 USD

The Sound of the Bell, Cheryl Warrick, 2001

etching, drypoint, aquatint, woodcut and monotype, trial proof, image/sheet: 48 x 16" signed, titled & dated recto, $6500

The Dispossed, Dindga McCannon, 1966

linocut, AP, image: 12 x 9", sheet: 15 3/8 x 10 7/8", signed, titled & dated recto, $8,500 USD

Distant Relations, Amze Emmons, 2023

color etching with chine colle, edition of 8, image: 17 3/4 x 24", sheet 22 1/4 x 29 3/4 ", signed, titled & dated recto, $3,200 USD

Spatial Requirements(Schematic), Christopher Hartshorne, 2019

unique multiple block color woodcut on Shikoku surface gampi, image/sheet: 43 x 43", signed, titled & dated verso, $4,500 USD

Yucatan Series (plate 2), Ed Clark, 1977

intaglio relief, Printer's proof, image: 21 1/2 x 27 3/4", sheet: 22 1/2 x 30", signed & dated recto, $28,000 USD

Untitled (W0830C), Steve Ford, 2021

unique linocut with chine colle, diptych, image/sheet: 60 x 44", signed & dated verso, $17,500 USD

Untitled (EM88LM90), Emily Mason, 1990

monoprint with chine colle, image: 23 x 32", sheet: 29 5/8 x 38 5/8", signed & dated recto, $9,300 USD

Ghost N, Dexter Davis, 2022

relief & mixed media collage, image/sheet: 12 3/8 x 9 3/8", framed to 16 x 12 1/2", signed, titled & dated verso, $1,800 USD

Miss Unity, Robert Blackburn, 1990

color woodcut, image: 26 x 20" sheet: 37 x 25", signed, titled & dated recto, $9,500 USD

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