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Gerrish Fine Art * | London, UK

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Gerrish Fine Art have an international reputation as specialists in British art, with a focus on 19th and 20th century printmaking. We also deal in American and European works, including prints, drawings, paintings, photography and sculpture. Gerrish Fine Art is now predominantly an online gallery, though customers can be met, on a ‘by appointment’ basis, at our domestic viewing space in the heart of London’s St. James’s. We present monthly online exhibitions on our website and publish physical catalogues on occasion for special collections.

 

Hilary Gerrish started his career in art dealing in 1972, as a partner in N.W. Lott and H.J. Gerrish. He worked from their gallery in St. James’s until 1985, at which point he went independent and created Gerrish Fine Art. The company has since developed into a family business; first with the addition of his daughter Georgie in 2008 (MA Art History, The Courtauld Institute of Art) and subsequently of his son Henry in 2010 (MA Art History, St Andrews).

 

Gerrish Fine Art has placed numerous works of outstanding quality and rarity into the permanent collections of over 50 international museums and institutions. We further work directly with many of the world’s leading private collectors in our field. We regularly lend works of art from our collection to museum and gallery exhibitions, and have curated several group and solo shows of our own over the years.

Image:

David Hockney, 'Pool made with Paper and Blue Ink for Book'

Image:

Close up: Andy Warhol 'Sidewalk'

Gerrish Fine Art is delighted to present a booth dedicated to Post-War and Contemporary printmaking created in Great Britain and North America. From Pop Art to Minimalism, and Figurative Art to Abstraction, these prints demonstrate the extraordinary experimentation and depth of expression found in the art of the second half of the twentieth century. These prints celebrate both the remarkable talents of the artists and the exceptional technical expertise of the master printers with whom they collaborated, at some of the top printmaking studios across the globe: Rupert Jasen Smith (New York), The Litho Shop (Santa Monica, California), Gemini GEL (Los Angeles), Styria Studio (New York), Cirrus Editions (Los Angeles), Universal Limited Art Editions (Long Island), Pratt Graphics (New York), Tyler Graphics (Mount Kisco, New York), Studio Prints (London) and the White Ink Studio (London).

Notable works for sale include: a rare landscape (one of only two) by Frank Auerbach, Hockney's iconic 'Pool Made With Paper and Blue Ink', a number of proof screenprints by Iraqi artist Dia Azzawi from the collection of the master screenprinter of the White ink Studio, Bernard Cook, Andy Warhol's 1983 screenprint 'Sidewalk' and recent works by Harland Miller and Jonas Wood.

Exhibiting Artists

Frank, Auerbach
Dia, Azzawi
Richard, Diebenkorn
Uzo, Egonu
Sam, Francis
Lucien, Freud
Stanley William, Hayter
David, Hockney
Donald, Judd
Elsworth, Kelly
Barbara, Kruger
Harland, Miller
Ed, Ruscha
Niki, Saint Phalle
Jean Tingueley
Andy, Warhol
Wood, Jonas



Frank Auerbach (b.1931), 'Tree at Tretire I', 1976

Screenprint & Etching, Paper Size: 59.3 x 46.3 cm, 8500 GBP

Dia Azzawi (b.1939), 'Homage to Baghdad No.2, 1982

Screenprint, Proof, aside from the signed and numbered edition of 100, Paper Size: 60.3 x 80 cm, 1950 GBP

Dia Azzawi (b.1939), 'Homage to Baghdad No.3

Screenprint, Proof, aside from the signed and numbered edition of 100, Paper Size: 61 x 80.3 cm, 1950 GBP

Dia Azzawi (b.1939), 'Homage to Baghdad No.4, 1982

Screenprint, Proof, aside from the signed and numbered edition of 100, Paper Size: 61 x 80.3 cm, 1950 GBP

Dia Azzawi (b.1937), 'Homage to Baghdad No.6, 1982

Screenprint, Proof, aside from the signed and numbered edition of 100, Paper Size: 61 x 80 cm, 1950 GBP

Dia Azzawi, 'Homage to Baghdad No.7, 1982

Screenprint, Proof, aside from the signed and numbered edition of 100, Paper Size: 61 x 80 cm, 1950 GBP

Dia Azzawi (b.1939), 'Homage to Baghdad No 8', 1982

Screenprint, Proof, aside from the signed and numbered edition of 100, Paper Size: 61.2 x 80 cm, 1950 GBP

Richard Diebenkorn, Untitled (From Club/Spade Group ’81-82), c.1983

Lithograph, From the edition of 250 + 1 RTP + 1 PP + 3 Gemini Impressions + 1 National Gallery print + 1 cancellation print + 3 colour trial proofs, Paper Size: 101.6 x 68.6 cm, 8500 GBP

Uzo, Egonu (1931-1996), 'Four Seasons - Summer', 1982

Screenprint, working proof, paper Size: 93.5 x 71.7 cm, 1750 GBP

Uzo, Egonu (1931-1996), 'Four Seasons - Autumn', 1982

Screenprint, Working proof, Paper size: 92.2 x 69.7 cm, 1750 GBP

Francis, Sam (1923-1994), 'Untitled', 1983

Lithograph, From the edition of 250 + 30 AP + 1 BAT, Paper Size: 106.7 x 73 cm, 6500 GBP

Lucien, Freud (1922-2011), 'Head of a Man', 1992

Etching, From the edition of 20 + 14 APs, Paper Size: Paper: 42 x 40 cm, 17,500 GBP

David, Hockney (b.1937), 'Jungle Boy', 1964

Etching and aquatint, Edition of 50, Paper Size: 50 x 61.5 cm, 50,000 GBP

David, Hockney (b.1937), 'The Beginning', 1966-67

Etching, Numbered in roman numerals from the edition of 25 + 5 APs in Edition E, Paper Size: 64 x 51.5 cm, 8500 GPB

David, Hockney (b,1937), 'In Despair', 1966/67

Etching, Numbered in roman numerals from the edition of 25 + 5 APs in Edition E, Paper Size: 64 x 51.5 cm, 7500 GBP

David, Hockney (b.1937), 'Still Life', 1969

Etching & Aquatint, From the edition of 75, Paper Size: 70.5 x 92.5 cm, 15,000 GBP

David, Hockney (b.1937), 'A Picture of Ourselves', 1976-77

Hardground & Aquatint, From the edition of 200 + 35 proofs, Paper Size 46 x 53 cm, £8500

David, Hockney, 'Discord Merely Magnifies', 1976-77

Hardground, Softground & Aquatint, From the edition of 200 + 35 proofs. Paper Size: 46 x 53 cm, 7500 GBP

David, Hockney (b.1937), 'Pool Made with Paper and Blue Ink for Book', 1980

Lithograph, From the edition of 1000 + 100 APs, Paper Size: 26.7 x 22.9 cm, 65,000 GBP

David, Hockney (b.1937), 'My Pool and Terrace', 1983

Etching and aquatint, From the edition of 250 + 30 AP + 1 BAT, Paper Size: Paper: 73.6 x 106 cm, 27,500 GBP

Stanley William, Hayter (1901 - 1988), 'Amazon', 1945

Engraving, Soft-ground Etching & Scorper, Trial proof aside from the edition of 50, Paper Size: 75.5 x 52 cm, 12,500 GBP

Donald, Judd (1928-1994), 'Untitled', 1978-79

Aquatint, Numbered from the intended edition of 175, although the edition was never completed,
Paper Size: 101.5 x 74 cm, 7500 GBP

Ellsworth, Kelly (1923-2015), 'Untitled', 1983

Lithograph, From the edition of 250 + 43 AP, Paper Size: 73.7 x 104 cm, 12,500 GBP

Niki, Saint Phalle, 'Untitled (Dear Clarice)', 1983

Lithograph, From the edition of 250 + 30 AP + 1 BAT, Paper Size: 73.7 x 106.7 cm, 2500 GBP

Jean, Tingueley (1925-1991), 'Fontaine Joe Syffert', 1984

Screenprint, From the edition of 300, Paper Size: 104.8 x 73 cm, 1500 GBP

Andy, Warhol (1928-1987), 'Sidewalk', 1983

Screenprint, From the edition of 250 + 30 AP + 6 PP + 15 HC + 45 TP + 3TPPP, Paper Size: 73 x 106.5 cm, 30,000 GBP

Jonas, Wood (b.1977), 'Spring', 2020

Ukiyo-e Japanese style woodcut, From the edition of 35, Paper Size: 66 x 56 cm, 25,000 GBP

Jonas Wood (b.1977), 'Summer', 2020

Ukiyo-e Japanese style woodcut, Edition of 35, Paper Size: 66 x 56 cm, 25,000 GBP

Jonas Wood (b.1977), 'Fall', 2020

Ukiyo-e Japanese style woodcut, Edition of 35, Paper Size: 66 x 56 cm, 25,000 GBP

Jonas Wood (b.1977), 'Winter', 2020

Ukiyo-e Japanese style woodcut, Edition of 35, Paper Size: 66 x 56 cm, 25,000 GBP

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