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Booth #407

Tamarind Institute | Albuquerque, US

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Since 1960, Tamarind has shaped the field of collaborative printmaking, through a unique printer training program and an educational mission to preserve and advance the creative medium of lithography. Today Tamarind is a nonprofit workshop occupying a freestanding building on the original Route 66, with a state-of-the-art workshop, public gallery, educational programs, and tours. Tamarind encompasses an extensive archive of historic material, a print inventory of some 8000 lithographs produced by the workshop, and a team of highly trained printers, curators, and print experts. Tamarind Institute stimulates research, preservation of knowledge, and community among a diverse international following. This unique program is widely credited with revitalizing the creative medium of lithography and continues to provide the only printer training program of its kind in the world.

Image:

Night Peonies, Ellen Berkenblit

Image:

Ellen Berkenblit signing Night Peonies at Tamarind Institute, 2023

This year's IFPDA selection showcases a diverse array of artists, encompassing both long-standing collaborators and recent projects. San Francisco-based artist Koak came to Tamarind for the first time in 2022. In her piece High Noon featured in this year’s booth, the serene elements clash with unsettling details, evoking a sense of tension. The juxtaposition sparks an exploration of human complexity. Stockholm-based Brian Rea is another artist with whom we had not previously collaborated with. Rea's debut project at Tamarind Institute involved a remote collaboration with our printing team led by Master Printer Valpuri Remling. They produced five lithographs, starting in 2021 and finishing in 2023, overcoming pandemic-related challenges and geographic distances. Each piece reflects Rea's versatility, humor, and commitment to collaboration. We also feature works by Ellen Berkenblit and Jaune Quick-to-See Smith, both of whom have a rich history with Tamarind. Additionally, we included pieces by Danielle Orchard, who began collaborating with us in 2018. Her 2022 monotype Tights III references her 2021 painting, Lint, offering insights into the contemporary female experience. This year's booth reflects Tamarind's evolution and artists' various approaches to collaborative lithography.

Exhibiting Artists

Henni Alftan, Ellen Berkenblit, Jeffrey Gibson, Koak, José Antonio Suárez Londoño, Danielle Orchard, Brian Rea, Jaune Quick-to-See Smith, Shinique Smith, Michelle Stuart.

Night Peonies, Ellen Berkenblit, 2022

Eleven-color lithograph, 25 15/16 x 36 7/8 inches, Edition of 20. $3,000

Dancing Barefoot, Henni Alftan, 2021

Five eight-color lithographs sold as a set and to be displayed in exact sequence. 26 15/16 x 27 7/16 inches, Edition of 30. $18,000

The Next Day, Henni Alftan, 2021

Four-color lithograph, 45 1/2 x 33 inches, Edition of 30, $8,000

High Noon, Koak, 2022

Four-color lithograph, 35 1/2 x 25 3/4 inches, Edition of 30. $2,800

Coyote in Quarantine, Jaune Quick-to-See Smith, 2020

Nine-color lithograph, 26 1/2 x 19 7/8 inches, Edition of 95. $3,500

Tights III, Danielle Orchard, 2022

Monotype, 36 x 29 inches, Edition of 1. $20,000

Still Life with Cherries, Danielle Orchard, 2022

One-color lithograph with chine collé, 14 1/4 x 11 1/4 inches, Edition of 15. $1,500

Still Life with Pizza, Danielle Orchard, 2022

One-color lithograph with chine collé, 14 1/4 x 11 1/4 inches, Edition of 15. $1,500

Soul Sight, Shinique Smith, 2017

Five-color lithograph with three-dimensional element, 42 x 30 inches, Edition of 10. $4,500

El Sereno, Brian Rea, 2022

One-color lithograph, 28 x 25 inches, Edition of 30, $1,000

Fantastic Crap, Brian Rea, 2022

One-color lithograph, 28 x 25 inches, Edition of 30, $1,000

Unstoppable, Brian Rea, 2022

One-color lithograph, 28 x 25 inches, Edition of 30, $1,000

Beauty, Brian Rea, 2022

One-color lithograph, 28 x 25 inches, Edition of 30, $1,000

Suddenly/Too Late, Brian Rea, 2022

One-color lithograph (diptych), Edition of 30, $2,000

SAY A PRAYER, Jeffrey Gibson, 2021

Twenty-one color lithograph with chine collé elements, 39 x 30 1/4 inches, Edition of 20. $14,000

Untitled, José Antonio Suárez Londoño, 2015

Single-color lithograph with chine collé, 12 x 9 1/2 inches, Edition of 20. $900

Untitled, José Antonio Suárez Londoño, 2015

Single-color lithograph with chine collé, 12 x 9 1/2 inches, Edition of 20. $900

Okuping, Michelle Stuart, 1974

Four-color lithograph with embossing, 21 x 14 inches, Edition of 24, $5,000

Kuseping, Michelle Stuart, 1974

Single-color lithograph with embossing, 13 3/4 x 13 3/4 inches, Edition of 24. $3,500

All of My Relations Book I + II, Jaune Quick-to-See Smith, 2022

Two five-color lithographs with chine collé, 12 x 60 inches, Edition of 20, $10,000

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